Nhorm Sdav or Sdav Salad
Nhorm Sdav – Khmer Salad

Sdav (ស្តៅ), Khmer edible bitter leaf. The young leaves is a bit red in color. Tiny round flowers grow out in clusters.
Sdav or Sdao is a kind of big growing tree in the wild of Cambodia, but it’s now brought to grow in the village also, because of its edible and contain health property. The edible parts are its young leaves and flowers with delicious bitter taste. Sdav is a seasonal plant, the new leaves and flowers only grow out during the month of November to February in Cambodia. It’s when Sdav begins to grow new branches and its flowers also grow out with new young leaves.
Sdav is served as vegetable for dipping with Teuk Kroeung and other Khmer dips. But Sdav Salad or Nhorm Sdav is a popular food for Cambodian.
Ingredients for 2 servings:
- 1 small bunch of Sdav of its young leaves and flowers
- 100 g pork

Nhorm Sdav ingredients
- 100 g fish flesh or smoked fish (optional)
- 1 tomato
- 1 cucumber
- Coriander
Ingredients for dressing:
- Ripe tamarind
- 3 cloves garlic
- 2 shallot
- 4 tbsp sugar
- 3 tbsp fish sauce
- 1 or 2 red chilly
Preparation of the dressing

Tamarind sauce as dressing for Nhorm Sdav
Put ripe tamarind in a bow, add 3 tbsp boiled water and start to crush it so that its flesh slips away from its seeds. Then take out the seed. Garlic and red chilly finely chopped, shallot slice thinly. Then add all into the bow of tamarind included sugar and fish sauce. Then taste it to the right flavor of sweet sour sauce.
Preparation for Sdav Salad
Put the bunch of Sdav into a bow to dip it with boiling water. Do not dip it into the boiling water on fire. But after the water is boiled, pour it onto the bow of Sdav. Then Sdav will turn into a very beautiful green leaves. Just for 5 minutes, Sdav must take out from boiled water and wash out with cold clean water. After drained, Sdav leaves and flowers must be picking up from its branches. And this is ready for Sdav.

Nhorm Sdav. This is not included grill fish flesh, just pork, because it will be easier to prepare and takes less time.
Pork after boiled, thinly slice into small slices. If you choose to add fish or smoked fish, then it’s must be grilled, then remove bones. Tomato and cucumber also thinly slice. Coriander also finely picked, and cut into small pieces. Now mix all the ingredients together and add the tamarind sauce slowly.
Nhorm Sdav or Sdav Salad is a great food for people who like bitter vegetables. Everyone in my family like it, we will have a big meal with Nhorm Sdav that consists of the bitter flavor of Sdav, the sweet of cucumber, the sour of tomato, the aroma of coriander, and the hot of chilly.
If you haven’t tried Nhorm Sdav before, give it a try!
Ta Som Temple
Ta Som Temple – The Home of Divinities
Ta Som Temple (ប្រាសាទតាសោម) locates in the northeast of Angkor Thom on the Grand Circuit which was built in the late 12th century and the beginning of 13th century by King Jayavarman VII (1181-1218). It dedicated to Mahayana Buddhism and also his father, King Dharanindravarman II, reigned from 1150 to 1160. Ta Som is also dedicated to King Ancestors, especially one of his teachers.
Like Banteay Kdei, Ta Prohm, and Preah Khan, Ta Som is also decorated with the four face tower of Bayon style on its outer gopuras. However, it’s the smaller one among the group.

West Outer Gopura of Ta Som Temple
Inside the temple, there are four places contain inscription which describe that there were many divinity statues placed in the chambers of Ta Som, each statue represented his ancestor and hero under Avaloketesvara’s statue. Now only the inscription at the north entrance to the sanctuary is still in good condition. At Preah Khan Temple there was a stone inscription talks about the name Gaurasrigajaratana, which means ‘The Jewel of the Propitious White Elephants’, where was a home of 22 divinities which probably refer to Ta Som Temple.

Ta Som Temple: The fronton on the west outer gopura
Layout of Ta Som Temple
Perhaps Ta Som is the only temple of Jayavarman VII with face tower at gopuras that has got a simple layout. Ta Som is bounded with three concentric enclosures. The outer enclosure is 240 m by 200 m. Two gopuras on the east and west connected together by laterite walls. Inside the outer enclosure there is a moat and the second enclosure of Ta Som is at the central of the moat which also has two gopuras with laterite walls.

Ta Som Temple: The second enclosure with a raised platform in the front
The inner enclosure is designed to be gallery walls, measure 30 m by 20 m. It has four gopuras at cardinal points and a tower at each corner. Two libraries at northeast and southeast of the courtyard. The central sanctuary is at a straight line with the north and south gopura of the enclosure. It’s one level single shrine of cruciform with porches on four sides.
Visiting Ta Som Temple
To Som locates at 2 km east of Neak Pean, 2 km northwest of East Mebon. The path leads to Ta Som’s west outer gopura. It has only one entrance door at the center top with a four-face tower. There are two small rooms decorated with balustered windows flanks the entrance. The west facing fronton depicts a standing Boddhisvatta Alovaketesvara surrounded by dancing Apsaras and devotees.

Ta Som Temple: Apsaras on the inner enclosure wall
After crossing the moat is the gopura of second enclosure. In front of gopura II, there is a short raised causeway in cruciform, but there is no evidence of naga balustrade decoration. The second gopuras have no tower, one doorway at the center, also with two small rooms as wings. On its walls are smiling Apsaras.

Ta Som Temple: The east second gopura covers with roots of big tree
The inner gopura has one entrance door top with a tower but not the face tower. Just like the second gopura, the inner gopura has its wings as small rooms decorated with delight Apsaras. The fronton of this inner gopura also has standing Alovaketesvara with devotees paying respect as praying, however, the fronton is now placed on the ground nearby.
The central tower is in cruciform. On its walls are Apsaras and on both sides of each door are Dvarapalas. Some parts of the sanctuary are collapsed and are under restoration process.
The gopura II east is covered by roots of a big tree which created a strange but natural state. To the east also has the same arrangement as the west.
Preah Khan Temple
Preah Khan Temple – The Holy Sword
At about 2 km North East of Angkor Thom, there was a wonderful temple which we are common known as Preah Khan. Preah Khan is Khmer words which mean “The holy sword or sacred sword or the royal sword”. Preah Khan temple was built by the greatest Khmer king of Angkor era, Jayavarman VII in 1191 AD, 10 years after his victory on Champa, who was invading and controlling Angkor for four year (1177-1181).
According to its stone inscription, Preah Khan was buily on the last battle site where King Jayavarman VII defeated Champa and the Champa’s king had been killed here.
This temple was probably the site of previous palace of Yasovarman II (1150-1165) and Tribhuvanadityavarman and also the palace of King Jayavarman VII before he move to Angkor Thom.
The original named of Preah Khan was Nagarajayacri which means the Kingdom Protected by a Holy Sword. The stone inscription describes about the holy sword that it is the prosperous treasure of the Kingdom. It was made by 21 different kinds of metal. Then, Preah Khan also a home of the royal family, dignitaies, monks, teachers and many servant in total about 10000 peoples.

Preah Khan Temple: Buildings of the inner enclosure
Preah Khan lies within a laterite wall about 800meters from East to West, 700 meters from North to South and surrounding by a moat. It locates at the end of Jayatataka Baray which is the last great reservoir to be built in Angkor era. Nowadays this baray is dry and it has got a new name called Rajatataka field.
Preah Khan was dedicate to Mahayana Buddhism and also to the king Dharanindravarman, king father of Jayavarman VII. A statue of Bodhisattva Avaloketisvara named Jayavarmesvara has been kept inside this temple is a statue represented to the king’s father. Beside this statue, there were many others deities at others site of the whole temple, in totally about 430 deities. Preah Khan was not only a palace or temple, but also a Buddhism university in the late 12th century.
Visiting Preah Khan Temple
To visit this temple, visitors could enter from the four Gopuras which locates at the main cardinal points. The most popular entrance is on the Eastern. It is available for visitors to see Jayatataka Baray and a terrace with lions guardians and nagas balustrade.
Walkway and the Naga Bridge
Walking on the walkway flanked by boundary stones for about 200 meters long from East to West, we arrive the causeways across the moat. The carving on boundary stones were changed in the late of 13th century while the original carvings were Buddha image.

Preah Khan Temple: The walkway flanks by boundary stones of the east entrance
The same to Angkor Thom, the causeway across the moat or the Naga bridge is decorating with two lines of deities and Asuras who were holding the naga king, Vasuki, appeared in the scene of Churning of the Ocean of Milk. At the end of this scene, there are two giant mythical guardians, Garudas.

Preah Khan Temple: asuras holding the body of naga at the east entrance, their heads are stolen
The Outer Gopura
Now we arrive a Gopura with three entrances, each top with the Bayon style four-face-tower, the largest entrance is in the middle. This is the gopura of the city wall or the fourth enclosure of Preah Khan. It is connected with others three more Gopuras by laterite walls. On the exterior of the laterite wall carved 68 giant Garudas, each about 5 meters high which symbolized protector of the air and water. This mythical bird is also the mount of Vishnu. They are regarded as powerful guardians and they were placed around the walls in a distance of 35 meters from each other. This mythical bird appeared with its traditional enemy, Nagas, the hands of Garuda hold and lift up the tail of Nagas and his legs stepping on the Naga’s body.

Preah Khan Temple: Garuda on the outer wall of the fourth enclosure
Passing Gopura IV and continue to the West through the forest to the third Gopura. Before we reach the third Gopura, there is a substantial “House of Fire” which is one of the 121 chapels built by King Jayavarman VII in his empire.

Preah Khan Temple: House of Fire
The Third Gopura
Continued a little while, there is a raised platform decorated with Naga balustrades and guarded by lions. Standing on this platform, a wonderful architectural composition of the third Gopura with it five entrances is in front of us, which leading to the central sanctuary.

Preah Khan Temple: Gopura III north

Preah Khan Temple: Gopura III west
There were many carvings at the external surface, which is supporting by many pillars, connected the three large entrances at the center to the two smaller at the end of the both sides. The central entrance was probably serving as the royal entrance to the temple.
Hall of Dancer
Passing the third Gopura, you will reach a large building where many Apsaras were carved on the lintel in the form of dancing. They are either single or in pairs. This hall is called “Hall of Dancers” which derived from the carving here. The hall is divided into four courtyards, each surrounded by 24 pillars. Formerly, this hall probably a place where worshippers presented offering of food, gifts to the king and Preah Khan Divinities, because this hall is close to the entrance of the main sanctuary. Many Buddha images also carving in the niches above Apsaras, but after the reigned of Jayavarman VII, the religious in Cambodia was returning to Hinduism and most of the Buddha images were defaced.

Preah Khan Temple: The carving of beautiful dancing Apsaras on the entrance door to the Hall of Dancer. Above is the original Buddha images which were defaced.
Storey Pavillion
There is a small entrance on the north side of the “Hall of Dancer” which lead you to see the Storey Pavilion. The Storey Pavilion is a strange and most unusual building of Angkor. It’s decorated with closely large round columns and has no trace of a stairway to the upper storey. It is maybe accessed to the upper level by wooden staircase in former time. The view of Storey Pavilion somehow made visitors feel like being somewhere in the Western country. A legend said that it’s once housed “Preah Khan”, the holy sword, which proceeded the king’s procession.

Preah Khan Temple: Storey Pavilion
The Second Gopura
Return to “Hall of Dancer” and continued to the West, there are two libraries facing to the West at the end of “Hall of Dancer”. The second enclosure is built as gallery walls. From the second Gopura to the inner Gopura are many buildings that were added in later time, making it a complicated area. However, the carvings here are something visitors could admire: Garudas are exceptionally carved at the corners; Buddha images on the columns have been transformed into hermits.

Preah Khan Temple: The outer wall of Hall of Dancers. The Buddha carvings above the windows are all destroyed.
The Inner Gopura and Central Sanctuary

Preah Khan Temple: Devada on the wall
The East facing fronton of the inner Gopura carved a male and female divinity standing on the pedestals, probably represented to the king and the queen. Beautiful Devadas are standing in the niches which are almost hidden. At the western of the inner gopura is where the famous stele of Preah Khan was found. It’s 2 meters high and 60cm square with inscription on all four sides. It is now kept in the Conservancy.
Continue to the west and we are now in the inner enclosure. The fronton of the inner gopura, facing west, is depicted a scene from Ramayana, in which Rama and Sita returning to Ayodhana. Within this enclosure is again contained many later additional small buildings. The central sanctuary has a small stupa at its center which was added around the 16th century. This place was originally placed the statue of Jayamesvara, the statue represents king father of Jayavarman VII. On both interior and exterior walls of the central sanctuary are pierced with small holes on purpose of attaching large bronze plates as covers. The inscription mentioned that about 1500 tones of bronze were used at this temple. There are four doorways to the cardinal points, looking at each with the long narrow views.
Small Temples Around the Second Enclosure
Surrounded the second enclosure are three small rectangular temples. The north dedicated to Shiva; the south to the kings and queens who were deceased ancestors; the west to Vishnu. From the central sanctuary, visitors can choose to turn north, or south to see the temples.
The north temple has some interesting frontons: the west fronton has Reclining Vishnu in exceptionally fine condition; Hindu trinities at the East, in which Shiva is dancing while Vishnu and Brahma sit on both sides, the same fronton is found at the west of temple U at Preah Pithu group temple.

Preah Khan Temple: Reclining Vishnu on the west fronton of Shiva’s temple
Back from the North temple, continue westward from the central sanctuary, a linga with its yoni pedestal is immediately west of the central sanctuary. More small chambers occupied the Southwest and Northwest corners of the inner enclosure.
After leaving the west Gopura of the second enclosure, we are entering the west temple which dedicated to Vishnu. A long pedestal with holes for three statues is placed right after its Eastern entrance. The inscription on its door frame says that they were Rama, Lakshmana, and Sita. A library of this small temple is at the northwest corner. The west fronton is identified as Krishna lifts mount Govardhana.

Preah Khan Temple: The west facing fronton of Vishnu’s Temple, Krishna lifts Mount Govardhana
The West Approach of Preah Khan
The west Gopura of the third enclosure is a few steps away from the temple of Vishnu. Its fronton depicts people playing chess on a boat. The west fronton has a scene of the Battle at Langka. The west entrance is guarded by two large Dvarapalas.

Preah Khan Temple: Fronton of gopura III west shows people playing chess on boat

Preah Khan Temple: West facing fronton of gopura III west, a scene of Battle of Lanka
Leave Preah Khan through its west which has the same design as the eastern one, though it’s shorter in distance: the outer Gopura of the laterite town wall carved with giant Garudas; the naga bridge over the moat flanked by Gods and Asuras and the long walkway with boundary stones.
Preah Pithu Group Temple
Preah Pithu Group Temple
Preah Pithu is the name of a group of five temples which were built separately from each other. There were regarded as a group just because they are near to each other, in fact, they were not intended to be a group. Preah Pithu group locates next to the North Kleang temple. It’s a peaceful place, visitors rarely arrive this area, and it’s probably because of the ruined state of these temples. However, Preah Pithu temples are worth a visit for their remains of good decorative carvings.

Preah Pithu Temple T: the platform decorated with naga balustrades from the west
The five temples at Preah Pithu were named by researchers as 481T, 482U, 483X, 484V, and 485Y. For ease in writing and momorize, the numbers are omitted and they are called Temple T, Temple U, Temple X, Temple V, and Temple Y.

Preah Pithu Temple T from the west, its orientation
Preah Pithu are small temple-mountains which contain the architectural style of Angkor Wat in the reign of Suryavarman II (1113-1150). Here is a good illusion of religion assembly. Temple T and U are probably dedicated to Vishnu, because of its architectural style are similar to Angkor Wat. Temple V and Y are dedicated to Shiva, while Temple X dedicated to Buddhism. To the east of Temple X there is a Buddhist square surrounded by the twin-boundary stones carved Buddha image which were scattered throughout the area of Angkor Thom. This have proofed that Buddhism has started to gain popularity in the middle age in which those constructions couldn’t have the construction date before the 14th century. And they might have related to the name of this temple group ‘Preah Pithu’ which is derived from the name of a Boddhisvatta Vithura, the ninth birth of Buddha, before the birth as Vissana Jakata.

Preah Pithu Temple T: east gopura, behind it is Temple U
Layout of Preah Pithu Group Temple
Starting from the main road that almost opposite Tep Pranam pagoda, the first temple you encounter is Temple T with enclosure measured 45m by 40 m. Right behind Temple T is Temple U within smaller enclosure of 35 m by 28 m. Both temples are surrounded by the same moat and facing west, which are unusual. A cruciform terrace is built as the approach over the moat to the temples from the west.

Preah Pithu Temple U from the west, its orientation.
To the east of Temple T and U is Temple X which was the latest construction of the group, dating from the 14th century. Temple X is also surrounded by moat and connects with the moat of Temple T and U at its southwest corner. The sanctuary rises in two tiers platform, measures 40 m square and 4 m high. However, it has no enclosure.

Preah Pithu Temple U: The west lintel of Dancing Shiva while Vishnu and Brahma sit at both sides
To the north of Temple U is Temple V, also has no enclosure. It main entrance is from the west by a large terrace and a 70 m causeway.
Temple Y locates about 30 m north of Temple V. So Temple U, V and Y are almost in a south-north line. Temple Y is of a late date then other but before Temple X. It faces east and consists of a sanctuary, mandapa and a short corridor (antarala).
Visiting Preah Pithu Group Temple
Temple T
The platform from the west, which is the main entrance to Temple T, supported by the round short columns and decorated with naga balustrades similar to those of Preah Palilay, Banteay Samre, and Angkor Wat. The sanctuary is on a three-tier platform of 6 m square with four stairways. The sanctuary is 3 m square, four porches open to all four sides flanks with windows. It outer walls decorated with female divinities. The west facing lintel is a scene of Churning of the Ocean of Milk.

Preah Pithu Temple U: Churning of the ocean of milk on the north lintel with Vishnu as instructor at center
Temple U
Leave Temple T by its east gopura and enter the Temple U. Its architectural is the same to Temple T, just smaller in size. The sanctuary is open to all four sides and guarded by Dvarapalas, now only their feet remain. The west lintel has dancing Shiva with Brahma and Vishnu sit and watch. The south facing lintel has Krishna lifting Mount Govardhana. The east facing lintel contains the art style of the 11th century. The north facing lintel shows the Churning of the Ocean of Milk.

Preah Pithu Temple U: Dvarapalas and Devatas on the walls of sanctuary
Temple X
The shrine of Temple X is on a broad terrace with stairways on four sides guarded by lion. The design is similar to the Temple T and U, however the decoration is incomplete. This is the only temple of the group that dedicated to Buddhism, in which lintel depicts Buddha story. Inside the shrine there is a frieze of Buddha. To the east of Temple X is the Buddhist square with two elephants stand on each side of the stairway and surrounded by boundary stones carved Buddha image. To me it seems Temple X was formerly dedicated to Hinduism too and later it was changed to be a Buddha temple. Because Temple X is also a temple-mountain represented Mount Meru and around the courtyard there are many partials of stone carved Hindu divinities.

Preah Pithu Temple X from the east, its orientation

Preah Pithu Temple X: Buddhas are carved on the inner wall of the sanctuary

Preah Pithu Temple: Two elephants at the stairway to the Buddhist Square, east of Temple X, their trunks are missing.

Preah Pithu Temple V: The large linga at the center of sanctuary
Temple V
Temple V has the largest shrine in the group, about 4 m square. The shrine contains a large linga. Its decoration is incomplete.
Temple Y
Temple Y is set on an earthen platform, has no stairway and porches. The shrine is connected with a large mandapa from the east. It also contained a linga. The mandapa is decorated with fronton and half fronton in the style of Banteay Samre. The story depicted included Krishna’s defeat asura Bana, Vishnu crossing the ocean, the fight between the monkey brothers Valin and Sugriva. This is very common that a shrine dedicated to Shiva but the decorations of it are mostly about Vishnu.

Preah Pithu Temple Y: the north wall

Preah Pithu Temple Y: the fighting between Krishna and asura Bana
Preah Palilay Temple
Preah Palilay Temple

Preah Palilay: The sanctuary from the east
Preah Palilay (ប្រាសាទព្រះបាលីលេយ្យ) is an Angkorian temple which dedicated to Buddhism locates in the north west of the Royal Palace in Angkor Thom. There is no stone inscription was found for this temple, thus according to the art style show that the sanctuary was built in the second half of 12th century and the gopura was added in later time.
Palilay is the Khmer pronoun of Parilayaka, a name of a forest which located in India which related to the life of Buddha. About 10 years after attained enlightenment, there was once Lord Buddha travelled into the forest of Palilay on purpose of practicing meditation. At there, Lord Buddha has always received fruit offering from monkeys and elephants. By their kindness, after they died they going to bornd in the heaven.
The decorations of the sanctuary at Palilay are about Hidunism while the gopura are about Buddha. This is suggested that the temple was formerly dedicated to Hinduism and later it was changed to be a temple dedicated to Buddhism during the changing of religion in Cambodia in the 13th century.
Visiting Preah Palilay
Approaching Preah Palilay
Preah Palilay can be approached either from Tep Pranam pagoda and Phimeanakas Temple. From Tep Pranam, walk futher about 200 m west and then turn right for about 50 m to reach the terrace decorated with naga balustrades. Coming from Phimeanakas, leave the Royal Palace compound from its north gopura and walk north for about 200 m too, then you will reach the laterite enclosure wall of Preah Palilay which measures 50 m square.

Preah Palilay: East entrance, a later added Buddhist shrine is at the end of the plateform.
East Entrance and the Platform
At the east entrance, there were originally two lion guardians, but now there is only one left at the right side. There were also two statues of Dvarapalas, now the remaining is a pair of feet of one guardian at the left side.

Preah Palilay: The naga balustrades of the raised platform which is in good condition, to the right is the feet of Dvarapala.
The platform is about 1.5 m raised from the ground level which is decorated by Naga balustrades in the same style as Banteay Samre Temple. The platform is 8.5 m long and 6 m wide. From the terrace, a causeway of 33 m long connects to the gopura. Before arrive the gopura, there is a Buddha shrine that added later, inside there is a Buddha statue of 3 m high. The shrine is always an active worship place for local tourists.
Gopura and Its Decoration
The architecture of the entrance gopura is very much similar to the entrance gopura of the Royal Palace, the difference is it’s smaller in size and the quality of workmanship is lower. This is why the date of construction of the gopura was determined to be later than the sanctuary. The only gopura of Preah Palilay is from the east, in cross-shaped with three entrance doors, each designed with lintel two-tier frontons depicted scenes about The Life of Buddha.

Preah Palilay: The east gopura with three entrance doors
The central entrance has a lintel depicts Reclining Buddha, and on fronton shows standing Buddha with devotees. The facing west frontons show scenes of Buddha as Vissana Jakata.

Preah Palilay: facing west fronton shows scenes of Buddha as Vissana Jakata

Preah Palilay: south facing fronton, Buddha in Bhumisparsa Mudra, touching the earth to witness.
The northern entrance, fronton facing east is a scene of Buddha during his time in Palilay forest receiving fruit offering from monkey and elephant. The facing west fronton shows Buddha receiving offerings from devotees. The facing north fronton is about elephant Nalagiri was defeated by Buddha, the upper part shows a sculptor working on a statue of Buddha.
The southern entrance, fronton facing east is a scene of Buddha sitting under a bodhi tree with devotees paying respect by praying, it’s should be a scene of Buddha preaching. The south facing fronton shows Buddha in Bhumispara Mudra in which Buddha touching the earth for witness. The one facing west is unclear.

Preah Palilay: The sanctuary tower from the west
Sanctuary of Preah Palilay
The sanctuary is 5 m square stands on a three-tier platform. Both platform and the sanctuary are made of sandstone. The sanctuary has doors open to all four sides with unadorned chimney-like tower rises above. The lintels of the four doors depicted the Hindu Gods of Direction (East guard by Indra, West by Varuna, South by Yama, and North by Kubera). The frontons are now placed on the ground. There is one could be identified as the attack of Mara, the devil king, and his army toward Buddha. Another one is Indra on his mount, Airavata.
Khmer Legend about the Name of Mountains in Battambang
At about 12 km west of Battambang town there are several hills locate near to each other, they are Phnom Sampoev, Phnom Kroper, Phnom Trung Morn, Phnom Prung Tea, Phnom Rumsay Sork. There is a legend relates to the names of these hills that have been told throughout generations of Khmer people. The story goes that:
There was a king name Rajakola (រាជកុល) had his royal place along the Dongrek mountain range. He felt in love with a beautiful girl named Sovann Masa (សុវណ្ណមសា) who was a daughter of a poor farmer family. Sovann Masa had a pet as a big crocodile and named it Athuna (អាធន់). This crocodile has strong power with its huge body, and he would do anything ordered by his owner, Sovann Masa. In fact, Athuna was born from an egg which Sovann Masa has picked up in the forest and brought home. After a while, the egg hatched out a crocodile, Sovann Masa felt pitty for it, so had brought it up as pet.
After a period of time that Sovann Masa has become lover of Rajakola, the king felt out of mind toward her and wanted to find another woman with his reason that Sovann Masa has origin from a poor farmer family that she’s not suitable to be entitle a queen of him.
In Chanborei city which located quite far away, the king there has a princess named Preah Neang Rumsay Sork. The princess has celestial hair, she simply grasp her hair with fingers and wish for what she wanted. Even the wish of drying the sea or turning the land into a sea also could become true.
The parent of king Rajakola has sent a letter to father of Preah Neang Rumsay Sork to ask for his daughter to be the queen of their son. The request has been accepted and Rajakola was very happy. He ordered his people to prepare the engagement gift into a ship and travel to Chanborei.
When Sovann Masa knew about this, she was very angry and ordered her crocodile, Athuna, to sink the ship on the way, so that Rajakola couldn’t meet Preah Neang Rumsay Sork. Athuna received the order and hurriedly swam to follow the ship. When he was near the ship, Rajakola saw him and he shouted out: “Hey Athuna, this is me, you can’t do anything harm to me.” “Only those who feed me that I listen to.” Athuna replied.
All the people on the ship were very frighten because they saw the crocodile was too big and mean. They took all the vegetables and other foods throw into water, even the chicken and duck in the cage, to feed Athuna. But the crocodile didn’t eat at all. Rajakola tried to calm down and prayed to God to protect him from this danger.
With sincere praying, he’s got the help from angel, in which an angel informed Preah Neang Rumsay Sork about the danger of Rajakola facing. Immediately, she grasped her hair and wish that the sea drying into land. So the crocodile got stuck in the ground and died. The body of Athuna has become a big mountain called Phnom Kroper (crocodile mountain) until today. While he was trying to release himself from the ground, Athuna waved his tail strongly and took a big breath, created two large lakes by these. The two lakes were named Crocodile Tail Lake and Crocodile Nose Lake.
The ship of Rajakola also became a mountain which has the shape of the real ship called Phnom Sampoev, The Ship Mountain. The chicken cage and duck cage that was through into the sea to feed Athuna also became small hills near there, and they are named Phnom Trung Morn (Chicken Cage Hill) and Phnom Trung Tea (Duck Cage Hill).
After the sea has been turned to be the plain, Rajakola and his people continued their way by walking. The place in which Preah Neang Rumsay Sork has grasped her hair also grew out a mountain, and it’s named Phnom Rumsay Srok (hair grasping mountain).